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The Music and Myth | Interview with Composer Julián De La Chica

I think this speaks to the relatability of the film. Because, as a viewer, if you go beyond what might be shocking to you, or too candid, or too intense, in the end it’s a film about a basic human experience. Everyone has experienced loneliness and desperation, to varying degrees.

 

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I think this speaks to the relatability of the film. Because, as a viewer, if you go beyond what might be shocking to you, or too candid, or too intense, in the end it’s a film about a basic human experience. Everyone has experienced loneliness and desperation, to varying degrees. It’s also a comment on the nature of objective reality. Who are we when we are alone, when we think no one can see us? And, if someone could see us in those moments of privacy, how much would they know about us? How much would they understand? What kind of story would they tell themselves about what they are witnessing?

 
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The artistic life of Julian De La Chica

By Ricardo Díaz De La Vega

When I was a young boy I remember reading Ayn Rand’s “Atlas Shrugged” and finding myself profoundly surprised by the first lines of the novel as if it was a prophecy, asking for who would later become the most legendary character, a paradigm of the world that she dreamed: “Who is John Galt?” Without a doubt and with the same confidence that he can distinguish between talent and improvisation, natural and artificial, I must start these lines asking: Who is Julián de la Chica?

When I was a young boy I remember reading Ayn Rand’s “Atlas Shrugged” and finding myself profoundly surprised by the first lines of the novel as if it was a prophecy, asking for who would later become the most legendary character, a paradigm of the world that she dreamed: “Who is John Galt?” Without a doubt and with the same confidence that he can distinguish between talent and improvisation, natural and artificial, I must start these lines asking: Who is Julián de la Chica?

 
 
Julian De La Chica Photo by Marc Tousignant

Julian De La Chica
Photo by Marc Tousignant

 
 
 

If we must say something about El Vagabundo del Piano, as the audience calls him, it is that even his life looks like a myth, some legend or fiction. He’s a real character, and his life is more than anything a series of nonequivalent realities, and when he puts it out there, we can see a thousand perspectives of multiple dimensions. Through his own personal experiences, Julian takes us to different places, stories and travels that personify a certain theme for a novel, and maybe that’s why (intentionally or not) he reached to become that character that a lot of people dream about. But he has also reached the moral line of the legendary “Hero of Rand”, and he simply had always displayed only his true self and his passion for his work through his utmost dedication, effort and imagination. This incredible commitment is what separates a genius from an average person.

 
 
Julian De La Chica Photo by Marc Tousignant

Julian De La Chica
Photo by Marc Tousignant

 
 
 
However, it was not until the age of 7 where Julian started his true artistic journey with his first debut performance. He remembers, “my feet couldn’t reach the pedals” and had to wear a tuxedo that his mom rented for $2 from a costume shop
— Ricardo Dias De La Vega
 
 

His romance with music started when he was 4 years old, and started learning to playing the piano through private lessons with music professor Martha Londoño, who taught him everything in regards to vocals and the musical alphabet. Soon after he improved his technique and solfeggio with other professors until he entered the University of the Arts for children and started to receive lessons from the great Olga Gonzalez. However, it was not until the age of 7 where Julian started his true artistic journey with his first debut performance. He remembers, “my feet couldn’t reach the pedals” and had to wear a tuxedo that his mom rented for $2 from a costume shop. Then came the concerts, which was a in fact a rare mix of the life of a child and that of a prodigy that was being recognized and celebrated by his talent: in school events, in music competitions, Christmas and New Year acts, in which we would find Julian living the reason why he was brought into this world in the first place. His first grand performance (after his debut) came when he was only 14 years old in a fully booked auditorium with more than 2000 people. His performances mainly included classic compositions, and during those times Julian was very influenced by romantic composers, particularly Beethoven. Even then you could have already visualized the variations and the style that eventually would define a true genius.

 
 
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Julian De La Chica is featuring in the new Anolie Magazine

A Lover of New York City, where he says he finally found his home, Julian De La Chica, also know as the “Vagabundo del Piano”, a Colombian pianist and composer, presents his new album: Irreverence.

By David Healy

 
 
Anolie Magazine 2013
 
 
 

His relationship with music began at a young eager age of 5, when he started playing a vintage piano in his native town, Manizales. At 7 he performed his first recital and at 16 successfully toured across some cities of Europe. At 18, De La Chica decided to temporarily abandon his musical ambitions and submit himself into a monastery and devote his time to readings & teachings of asceticism.

He has been described as a genius, quirky, whimsical, irreverent … However with his minimal approach to music, he is believed to be possessed with the gift of music that captivates crowds across the world. He credits much of his influence to composer Philip Glass, among many other talents that have single handedly shaped his musical creativity.

 
 
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ArtNexus party celebrates IconBrickell & Philippe Starck

ArtNexus and Jorge Perez honor designer Philippe Starck at the unveiling of IconBrickell, Miami’s largest residential/resort/retail community, in an elaborate Art Basel event.

ArtNexus and Jorge Perez honor designer Philippe Starck at the unveiling of IconBrickell, Miami’s largest residential/resort/retail community, in an elaborate Art Basel event. Celebrating the grand arrival of what is said to be Perez’s legacy and Starck’s masterpiece, guests will mingle amidst star designers Starck and Kelly Wearster and legendary Miami architect Bernando Fort-Brescia. Colombian composer & pianist Julian De La Chica, will give a special performance from a floating piano set within IconBrickell’s 300-foot pool.

 
 
Julian De La Chica - ArtBasel 2008
 
 

Concert gallery

 
 
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